|---------------14----12-------
|------------------------14b15-
|---------11-14----14----------
|--11/12-----------------------
|------------------------------
|------------------------------
Thursday, September 30, 2010
horizontal
2 string (slide)
|----------------------------
|-------8\7-------5\3-------5
|--9\7-------5\4-------2/4---
|----------------------------
|----------------------------
|----------------------------
Friday, September 17, 2010
Harmonic minor sequence
|--6-7-3-6---3------------------------------------------
|----------7---5-7-3-5---3------------------------------
|----------------------6---4-6-3-4---3------------------
|----------------------------------5---4-5-2-4---2------
|----------------------------------------------5---4-5-2
|-------------------------------------------------------
string skipping
|---------8-9-12-9-8----8---
|---------------------------
|--8-9-12------------12---12
|---------------------------
|---------------------------
|---------------------------
Sunday, September 12, 2010
picking sequence
24beat
|-------------------------------------
|-------------------------------------
|-------------------------------------
|--------------------------5----------
|--------5-----------5-7-8---8-7-5-7-8
|--5-6-8---8-6-5-6-8------------------
16 beat
|---------------------------------------------
|-------------------------------10-13-10-12---
|----------9-12-9-10----9-10-12-------------12
|--9-10-12-----------12-----------------------
|---------------------------------------------
|---------------------------------------------
Thursday, September 9, 2010
什么chord对什么scale
|Gmaj7 | F#m7 |
用 F#m pentatonic, Bm pentatonic, Em pentatonic, F#phygian
Am
|--------------------------------------------------------
|--------------------------------------------17-20-16b17-
|--------------------------------12-14-17-19-------------
|--------------------17-19-12-14-------------------------
|--------12-14-17-19-------------------------------------
|--12-15-------------------------------------------------
Monday, July 5, 2010
sweeping
4 string ascending (diatonic)
|--------7-9-7---------8-12-8----------10-14-10
|------8------------10--------------12---------
|----7------------9--------------11------------
|--9-----------10-------------12---------------
|----------------------------------------------
|----------------------------------------------
cmajor
|--------7-10-7----------10-15-10
|------8--------------12---------
|----7-------------12------------
|--9------------12---------------
|--------------------------------
|--------------------------------
descending (16 notes)
|--7-10-7-------8-12-8--------
|---------8------------10-----
|-----------7-------------9---
|-------------9-------------10
|-----------------------------
|-----------------------------
Saturday, July 3, 2010
penta sequence
|------------------------------------------------------------
|------------------------------------------------------------
|----5-7-5---5----7-9-7----7----9-12-9----9----12-14-12----12
|--7-------7---10-------10---12--------12---14----------14---
|------------------------------------------------------------
|------------------------------------------------------------
penta +b5
|--15-12----------------10-12-10----------------
|--------15-12-10-11-12----------12-11-10-8-10-8
|-----------------------------------------------
|-----------------------------------------------
|-----------------------------------------------
|-----------------------------------------------
|-----------------------------------
|-----------------------------------
|--9-7------------------------------
|------9-8-7-8-7-5-7-5--------------
|----------------------7-5----------
|--------------------------7-6-5-3-0
5string root
|---------14----------12-------------------------
|--15b17-----15-12-------15-12----15-12----------
|------------------14----------14-------14-11/14-
|------------------------------------------------
|------------------------------------------------
|------------------------------------------------
Sunday, June 20, 2010
legato lick (16 beat)
|5-7-8-7-5---5------------------------------------------
|---------- 8---8-5-6-8-6-5---5-----------------------
|-------------------------- 7---7-4-5-7-5-4---4-----
|------------------------------------------- 7---7---
|----------------------------------------------------------
|----------------------------------------------------------
|-------------------------------------
|------------------------------------
|-3-5-7-5-3---3--------------------
|--------------7---7-3-5-7-5-3---3----
|---------------------------------7---7-5
|--12-10-8-7-8-10-8-7
|--------------------
|--------------------
|--------------------
|--------------------
|--------------------
|--12-10-8-10-12-14-12-10
|------------------------
|------------------------
|------------------------
|------------------------
|------------------------
triplet
|-------------------------------------
|-------------------------------------
|--------------------12-14-16-14-12---
|-----------12-14-15----------------15
|--12-14-15---------------------------
|-------------------------------------
|------------------------------
|------------------------------
|------------------------------
|----------8-10-12-10-8----8-10
|--8-10-12--------------12-----
|------------------------------
|--7-8-7-5-7-5---5--------------------
|--------------8---8-6-8-6-5-6-5---5--
|--------------------------------7---7
|-------------------------------------
|-------------------------------------
|-------------------------------------
phrygian
|----------------------------------
|----------------------------------
|--------------------7-9-7---10-7-9
|-------7-9-7----7-9-------9-------
|--7-10-------10-------------------
|----------------------------------
Friday, June 11, 2010
ways to use mode
In the key of C
B locrian = B C D E F G A B
B phrygian = B C D E F# G A B
beside E phrygian, B phrygian is interchangable
Thursday, April 29, 2010
Wednesday, April 28, 2010
memorizing melodic and harmonic scale mode
Melodic Minor
- Dorian M7
- Phrygian M6
- Lydian Aug 5
- Mixolydian #4 (lydian dominant)
- Aeolian M3
- Locrian M2
- Ionian #1 (locrian b4) (altered scale)
- Aeolian M7
- Locrian M6
- Ionian Aug 5
- Dorian #4
- Phrygian M3 (phrygian Dominant)
- Lydian #2
- Mixolydian #1
Harmonizing harmonic minor
- minor major 7
- minor 7 b5 (half diminished) 2b diminished
- major 7 Aug 5
- minor 7
- dominant 7
- major 7
- diminished 7 (full diminished)
Harmonizing Melodic minor (7th)
- minor major 7
- minor 7
- major 7 Aug 5
- dominant7
- dominant 7
- minor7b5
- minor7b5
Application
A#aug
Ionian #5, Lydian#5, altered scale, whole tone,
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